1180 Peachtree in Atlanta, Georgia
Photograph © Wayne Lorentz/Artefaqs Corporation
1180 Peachtree in Atlanta, Georgia
Photograph © Wayne Lorentz/Artefaqs Corporation
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1180 Peachtree in Atlanta, Georgia
Photograph © Wayne Lorentz/Artefaqs Corporation
1180 Peachtree in Atlanta, Georgia
Photograph © Wayne Lorentz/Artefaqs Corporation
1180 Peachtree in Atlanta, Georgia
Photograph © Wayne Lorentz/Artefaqs Corporation
1180 Peachtree in Atlanta, Georgia
Photograph © Wayne Lorentz/Artefaqs Corporation
1180 Peachtree in Atlanta, Georgia
Photograph © Wayne Lorentz/Artefaqs Corporation
1180 Peachtree in Atlanta, Georgia
Photograph © Wayne Lorentz/Artefaqs Corporation
1180 Peachtree in Atlanta, Georgia
Photograph © Wayne Lorentz/Artefaqs Corporation
1180 Peachtree in Atlanta, Georgia
Photograph © Wayne Lorentz/Artefaqs Corporation
1180 Peachtree in Atlanta, Georgia
Photograph © Wayne Lorentz/Artefaqs Corporation
1180 Peachtree
Also known as:Symphony Tower
1180 Peachtree Street Northeast, Atlanta, Georgia 30309 United States
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This is the tower that symbolizes Atlanta's emergence into the 21st Century. 1180 Peachtree embraces the new modernist style in skyscraper design, moving beyond the black glass of the 1960's, the white concrete of the 1970's, the beige stucco of the 1990's.

More importantly, it signals Atlanta's intention to diverge from the urban examples like New York and Chicago that came before it. Instead of creating dark, smothering canyons, buildings like 1180 use natural light, setbacks, and podiums to create a more welcoming environment -- one where skyscrapers can work with people and the environment, rather than oppress them.

A thoroughly modern tower, 1180 Peachtree's facade exists as two parallel walls of blue-green glass under a grid of silver spandrels. As they reach the upper reaches of the building, they curve slightly inward. In practical terms, they shield the rooftop mechanical elements from being seen. Aesthetically, however, they create a sense of wonder; giving people an opportunity to imagine what might be up there. A hidden luxury penthouse? A private garden? An area for exclusive parties? While the truth is rather more mundane, an architect that can bring wonder to a viewer accomplishes a feat that motion picture directors strive for -- to use their creation to evoke emotion in others.

This building's external grid is supplemented by visible structural elements at the top of the building, supporting the curves. In a sense, this building has "good bones" and isn't afraid to show them off. But they're more than just decorative. Putting the metal elements on the outside creates more room for offices inside, and provides a small amount of shadows to help defray cooling costs.

Quick Facts
  • Construction start: 2005
  • Construction end: 2006
  • Designed by: Kendall/Heaton Associates and Pickard Chilton Architects
  • Cost: $120,000,000.00
  • Type: Skyscraper
  • Stories: 41
  • Maximum height: 650 feet / 198 meters
Notes
    > This building was developed by Hines.
    > This building was erected by Turner Construction.
    > This building has 681,000 square feet of rentable space.
    > This building was constructed with 700 tons of steel.
    > 95,000 tons of concrete were used in the construction.
    > This building rests on 192 piers drilled 65 feet to bedrock. > The illuminated fins at the top of the building are 119 feet tall.
    > Half of the roof is covered by plants to reduce storm water runoff.
    > This building collects storm water and condensation from its own mechanical equipment and stores it underground. The water is used for watering plants.
    > This building has 17 elevators. > September, 2006 - This building is sold to the General Electric Pension Trust for $254,000,000.
Rate This Skyscraper
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Your Thoughts

There are two comments.

  When I lived in Atlanta for six years the city itself amazed me with its tall skyscrapers, 1180 Peachtree is the most beautiful building in Atlanta that I have far seen.

Erickfer Salas - Wednesday, April 18th, 2007 @ 3:43pm  

  "More importantly, it signals Atlanta's intention to diverge from the urban examples like New York and Chicago that came before it." Fine if repetitive building, and a nice riff on Atlanta's pointy patterns, yet the only problem with claiming such meaning for it is that it's a 90 degree twist of Pickard Chilton and HKS' earlier design for AIM Funds on the Southwest Freeway in Houston, so Atlanta was an afterthought at best.

Neil - Friday, March 16th, 2007 @ 5:26pm  

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